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The Mini HD Wi-Fi Camera DCS-8000LH ($59.99), D-Link's latest addition to its line of home security cameras, is its smallest and most affordably priced offering yet. It's a 720p camera with motion and sound detection that delivered relatively sharp day and night video in our tests. That said, it lacks some of the features you get with the similarly priced (and equally small) Tend Secure Lynx Indoor, including face recognition, two-way audio, and triggered event recording.
Standing 3.6 inches high and measuring 1.6 inches in diameter, the white, cylinder-shaped DCS8000LH maintains a sleek, low-profile aesthetic that will complement any room. In the center of the enclosure is the camera, which delivers 1,280-by-720-pixel video at 30 fps and has a 120-degree field of view and a 4X digital zoom. It uses an infrared LED to provide up to 16 feet of black-and-white night vision video. At the bottom of the enclosure is a status LED.
The DCS-8000LH contains motion and sound sensors and will send a push notification when one of the sensors is triggered, but it doesn't automatically record video of these events like the Tend Secure Lynx Indoor and Ezviz Mini cameras do. It has a light sensor for activating night vision mode and a microphone for sound detection and audio recording, but it doesn't have a speaker and does not support two-way audio communication, a feature found on most home security cameras. The camera has a mini USB power jack at the back of the enclosure and comes with a power adapter and cable and a quick start guide.
The camera uses the same mydlink mobile app (Android and iOS) as other D-Link devices including the 180-Degree DCS-8200LH HD and the mydlink Wi-Fi Smart Plug, and it can be accessed via the mydlink web console. The app opens to a screen with a list of all installed D-Link devices with their current status (online, offline). Tapping the camera launches a live stream with buttons on the bottom for muting the sound, taking a snapshot, changing the video resolution, and manually recording a video clip. There's also a button for selecting a night vision mode (Auto, Daytime, Night Time) and an Info button that briefly displays the current resolution, frame rate, and bit rate. Turning the phone sideways toggles full-screen mode.
Tapping the three dots in the upper right corner opens a Main Features menu with buttons for Live View, Settings, Firmware Version, and Remove Device. In Settings you can enable/disable motion and sound detection, and configure an activity zone that defines where motion is detected. There's also a motion sensitivity slider, as well as a slider that lets you set a decibel threshold for sound detection. Other options include Wi-Fi and time zone settings, and a switch for turning the camera's LED indicator on or off.
Despite sharing the same app as other D-Link smart home devices, the DCS-8000LH does not work with any of them, nor does it support If This Then That (IFTTT), which uses recipes to make compatible devices work with each other. It also lacks the support for Amazon Alexa voice commands that you get with more expensive cameras such as the Nest Cam IQ and Amazon Cloud Cam.
Installing the DCS-8000LH was quick and easy. If you don't already have an account, you'll have to download the mydlink Lite app and create one. Open the app, tap the Add A New Camera button at the bottom of the Remote Device screen, plug in the camera, and select the Scan QR Code option. When I did this the camera was recognized immediately, and I continued by selecting my Wi-Fi SSID and entering my Wi-Fi password. Once connected, I was prompted to create a camera password and update its firmware, which took around three minutes.
The DCS-8000LH delivered sharp 720p video in my tests. Colors appeared strong and well-saturated, and there was no noticeable pincushion or barrel distortion. Black-and-white night vision appeared well-lit with good contrast and sharp image detail out to around 20 feet. The camera's motion and sound detection features worked perfectly once I adjusted their sensitivity levels, and I always received push notifications whenever one of the sensors was triggered.
If you're looking for an inexpensive home security camera that lets you monitor your home remotely from your smartphone, the D-Link Mini HD Wi-Fi Camera DCS-8000LH will get the job done for just under $60. It offers motion and sound detection and delivers crisp 720p video with sharp night vision, but it's missing a few features that you get with our Editors' Choice for affordable home security cameras, the Tend Secure Lynx Indoor, such as event-triggered recording, two-way audio, and facial recognition. If you want a camera that works with other smart home devices, offers facial recognition, and supports Alexa voice commands, check out the Nest Cam IQ, but be prepared to spend significantly more.
The EVO Nano is equipped with a 48MP camera that can record ultrasharp 4K/30fps video. Paired with a three-axismechanical gimbal to prevent vibration, theNano provides everything you need to ensureyour footage is smooth and stable no matter howrough the conditions.
An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.
We used ALEXA Mini for aerial shots and gimbal work and the rest of film was shot on ALEXA SXT. Since the ALEXA cameras have the same type of sensor and we used the same lenses, the style was uniform, even though we used two different camera types. We shot the film in the remote city of Haikou which meant it would have been very hard to get another camera body if anything went wrong. The reliability of ARRI cameras was outstanding and indeed a relief.
The ALEXA Mini was very nice in regard to size and weight, very comfortable. The feeling that we wanted to get for the film was documentary style, kind of run-and-gun, and for that we needed a very light camera. The size of the ALEXA Mini gave us the freedom to move around easier. With handheld you can move around with the actor and let him be free. It changes the entire attitude of filmmaking, and it gives the actors more of a natural feeling of being in the scene.
Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an interactive commercial video, shot on ALEXA XT and ALEXA Mini cameras with Master Anamorphic lenses.
No, it does not. Most digital cameras have the greatest exposure latitude at a specific EI setting (often called the 'sweet spot'). Choosing an EI setting that is higher or lower than the optimal setting will result in a sometimes surprisingly large loss of exposure latitude. The ARRI ALEV 3 sensor is unique since it has the highest dynamic range of any professional digital cinema cameras for sale; this dynamic range stays constant from EI 160 to EI 3200.
In jam-sync mode the camera samples the timecode value and simultaneously tunes its internal timecode clock to match the clock of the timecode source, which prevents potential drift between camera timecode and timecode source. During this procedure, the timecode display on the home screen, on the timecode menu screen as well as on the status overlays is flashing. Jamming has finished when the timecode display stops flashing, then the timecode source can be disconnected. The camera now continues counting based on its own high-precision crystal clock. This mode ensures stable timecode with a drift of less than one frame over eight hours, after which the camera has to be re-jammed.
A lot of vloggers like to walk and talk at the same time. If this is your style, you should consider a camera with in-body image stabilization. This will help to smooth out any shaky motion caused by your footsteps and make footage much more watchable. Some cameras go a step further with an integrated gimbal which counteracts motion on several axes to stay level, like the DJI Pocket 2.
That said, some vloggers prefer to prioritize portability. Truly tiny cameras like the Insta360 Go 2 sacrifice total creative control in favor of quick, simple accessibility for capturing off-the-cuff footage. Compact cameras like the Sony ZV-1 can represent a good middle ground for a lot of vloggers, offering solid image quality and manual control options, yet still in a form factor that can comfortably slip into a pocket.
Other vloggers choose cameras which are specifically suited to their shooting needs. Rugged models like the GoPro Hero 10 Black, for example, offer advanced connectivity and live-streaming options, plus plenty of creative modes, in a sturdy package that makes it easy to shoot vlogs even in extreme weather conditions.
Any camera with video recording capabilities can be used to record your new vlog entries. However, only the best cameras for vlogging will make your recording process seamless. Every serious vlogger, therefore, needs to invest in one.
A great camera for vlogging not only delivers clean and sharp picture quality, better than your phone. It also boasts a reliable autofocusing system and powerful image stabilization to keep your on-the-go videos smooth.
Compact and powerful, we think the Sony ZV-1 nails what most people want from a small vlogging camera. Its compact packaging gives it excellent versatility, as do its hotshoe, mic port and fully articulating touchscreen. In testing, we found its real-time tracking and Eye AF to be the class of the field, while the 1-inch sensor was capable of producing crisp, detailed 4K/30p video.
We were big fans of the original DJI Osmo Pocket, but this sequel fixes a lot of its limitations and makes it the best compact option around for solo filmmakers. The Sony ZV-1 (above) trumps it for outright video quality, but if you tend to shoot a lot of walk-and-talk style clips to camera, then the Pocket 2's combination of a three-axis gimbal and solid face-tracking could make it more appealing. 59ce067264